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Working closely with director Oliver Davies and agency JWT, we helped craft the beautifully bonkers visuals for Kasperski.


When we entered the doors to the studio, we all knew we were creating something very distinctive and vibrant. There were a lot of oohs and ahhs as everyone entered. The set had 36 different lighting setups, all amazing in their own right. My favourite was ‘Golden Sunset’. The wooden floors and walls of the stunning Barrandov Studios in Prague added to the effect.


With the Visual Effects, Oliver need a little help getting a few things cleaned up, wires removed and helmet visors added for effect. We also did a little bit of facial reconstruction and augmented the digital  devices to put them a few years into the future.


This was an interesting project psychologically, with our screens constantly pushing vibrant and joyous colours into our retinas. The silky tones and striking compositions made for fun times in the VFX suite.


This project was soooo much fun.

Agency: JWT

Producer: Tash Bedford

Creative Director: Mike Watson & Stefan Foster

Creatives: Katia Schutz

Account Director: Gareth Sheehy


Production: Mill+

Director: Oliver Davies

Executive Producer: Josh Davies

Producer: Elliot Tagg

Production Manager: Elizabeth Wafer

Director of Photography: Rob Witt


Editorial: Edit Egg

Editor: John Holloway

VFX: The Mill

Producer: Mia Saunders

Shoot Supervisor: James Mac

VFX Supervisor: James Mac

2D Artist: Ben East

3D Artist: Bethan Williams

Design: Matthew Campbell, Ewan Davidson, Sam Singleton

Colourist: Alex Gregory

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