KASPERSKI BRIGHTER TOMORROW
Working closely with director Oliver Davies and agency JWT, we helped craft the beautifully bonkers visuals for Kasperski.
When we entered the doors to the studio, we all knew we were creating something very distinctive and vibrant. There were a lot of oohs and ahhs as everyone entered. The set had 36 different lighting setups, all amazing in their own right. My favourite was ‘Golden Sunset’. The wooden floors and walls of the stunning Barrandov Studios in Prague added to the effect.
With the Visual Effects, Oliver need a little help getting a few things cleaned up, wires removed and helmet visors added for effect. We also did a little bit of facial reconstruction and augmented the digital devices to put them a few years into the future.
This was an interesting project psychologically, with our screens constantly pushing vibrant and joyous colours into our retinas. The silky tones and striking compositions made for fun times in the VFX suite.
This project was soooo much fun.
Producer: Tash Bedford
Creative Director: Mike Watson & Stefan Foster
Creatives: Katia Schutz
Account Director: Gareth Sheehy
Director: Oliver Davies
Executive Producer: Josh Davies
Producer: Elliot Tagg
Production Manager: Elizabeth Wafer
Director of Photography: Rob Witt
Editorial: Edit Egg
VFX: The Mill
Producer: Mia Saunders
Shoot Supervisor: James Mac
VFX Supervisor: James Mac
2D Artist: Ben East
3D Artist: Bethan Williams
Design: Matthew Campbell, Ewan Davidson, Sam Singleton
Colourist: Alex Gregory